Then, connect it to the iMac, and edit in FCPX if desired. The cool thing was (is), if I wanted to, I could simply connect that drive back up to my Mac Pro (FCP7 machine) and continue editing my original FCP7 project. Works out great, if for some reason my working drive kicks the bucket, I can simply connect my backup (cloned) drive and pick up where I left off.Īctually, this is how I was backing up my FCP7 projects and when I was ready to start editing in FCPX (in the middle of a project as it were) I simply connected that drive to my iMac (my FCPX machine) and created an X project and simply referenced it to the original ProRes 422 files on the drive which I originally captured on the Mac Pro in FCP7. I initially backed up the contents of my entire drive, and then in the evenings or first thing in the morning while I'm still reading the NYTimes, I'll use Chronosync to do my incremental backups.
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Michael, your had created a thread asking how to backup your FCPX Events and Projects and I was wondering if you had ever got your head wrapped around a solution?Īs far as backing up a single drive containing events and projects, I have been using Chronosync.
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